Title
|
Artist
|
Medium & Support
|
Creation Date
|
Abraham and Issac
|
Unknown Artist
|
etching [with drypoint (?)] on paper
|
17th century
|
The Tower of London
|
Toms, William Henry
|
etching on paper
|
probably 1730s - 1740s
|
Portrait of John Locke
|
Vertue, George
|
engraving and etching on paper
|
1738
|
The Lady's Disaster
|
June, John
|
engraving
|
1746
|
Taste A La Mode as in the Year 1735
|
Davis, Evan
|
engraving
|
1749
|
Moses Brought Before Pharaoh's Daughter
|
Sullivan, Luke
|
engraving on off-white paper
|
1752
|
Paul before Felix
|
Sullivan, Luke
|
etching on off-white paper
|
1752
|
A Correct View of the ... Manner of Execution of Lawrence Shirley late Earl of Ferrers
|
Unknown Artist
|
engraving and etching
|
ca. 1760
|
Corporal Fear
|
Baldrey, Joshua Kirby
|
etching
|
late 18th century - early 19th century
|
Madonna and Child
|
Earlom, Richard
|
mezzotint
|
1768
|
A Bagnigge Wells Scene, or No Resisting Temptation
|
Smith, John Raphael
|
mezzotint
|
1780
|
Portrait of John Wharton Tempest
|
Walker, James
|
mezzotint
|
1781
|
Saint Margaret's at Cliff near Dover
|
Cooke, George
|
engraving
|
1781 - 1834
|
Widow Costard's Cow and Goods
|
Sedgwick, William
|
stipple engraving on paper
|
1784
|
Portrait of The Reverand Mr. Thomas Warton
|
Hodges, Charles Howard
|
mezzotint and engraving
|
1786
|
The Evening Walk Princes Street
|
Kay, John
|
hand colored engraving on paper
|
1788
|
Langley Ware
|
Stadler, Joseph Constantine
|
aquatint on paper
|
1793
|
A Shipwreck'd Saylor Boy telling his Story at a Cottage Door
|
Orme, Daniel
|
stipple engraving on paper
|
1794
|
Jack Junk
|
|
mezzotint
|
1795
|
The Dissolution or The Alchymist Producing an Aetherial Representation
|
Gillray, James
|
hand colored engraving
|
1796
|
In Green Street, Enfield Highway
|
Smith, John Thomas
|
etching
|
1797
|
Westminster Hall
|
Ireland, Samuel
|
aquatint
|
1800
|
Standish Chapel and Pew
|
|
engraving
|
1800 - 1899
|
Land's End Cornwall
|
Cooke, George
|
engraving
|
19th century
|
The Ladye Chapel, Chester Cathedral
|
Prout, John Skinner
|
lithograph
|
19th century
|
Swainson’s Toucan
|
Gould, John
|
hand colored lithograph on paper
|
1st half 19th century
|
The Diving Bell
|
Cooke, George
|
engraving
|
early 19th century
|
Corfe Castel, Dorsetshire
|
Cooke, George
|
engraving
|
early 19th century
|
Walmer Castle
|
Cooke, George
|
engraving
|
early 19th century
|
Portrait of a Lady
|
Jenkins, J.
|
engraving on paper
|
early 19th century
|
The Rhine
|
Willmore, James Tibbitts
|
engraving
|
early 19th century - mid 19th century
|
Boscastle, Cornwall
|
Goodall, Edward
|
engraving
|
early 19th century - mid 19th century
|
Calm
|
Turner, J. M. W.
|
etching in sepia
|
first half 19th century
|
Ilfracomb North Devon
|
Cooke, William Bernard
|
engraving
|
first half 19th century
|
Near Godesberg
|
Prout, Samuel
|
lithograph
|
first half 19th century
|
Roman Pillar at Igel
|
Prout, Samuel
|
lithograph
|
first half 19th century
|
Fashion Illustration
|
Mutlow, H.
|
hand colored engraving on paper
|
1801
|
Boa: The Canina
|
Pass, J.
|
engraving on paper
|
1801
|
Sir Thomas Gresham
|
Chapman, John
|
aquatint and etching on paper
|
ca. 1806
|
King Henry the Eighth
|
Taylor, Isaac
|
engraving on paper
|
1803
|
St. Luke's Hospital
|
Rowlandson, Thomas
|
color aquatint in pastel shades
|
ca. 1809
|
Edmonton
|
Warren, Ambrose William
|
hand colored engraving on paper
|
1806
|
Corn Exchange, Mark Lane
|
Rowlandson & Pugin
|
handtinted aquatint
|
1808
|
Londina Illustrata
|
Unknown Artist
|
etching
|
1809
|
Philanthropic Society
|
Rowlandson, Thomas
|
handtinted aquatint on paper
|
1809
|
Georgina, Duchess of Devonshire
|
Meyer, Henry Hoppner
|
engraving on paper
|
ca. 1814
|
Lulworth Cove, Dorset
|
Cooke, William Bernard
|
engraving
|
1812
|
The Sands
|
Rowlandson, Thomas
|
hand-colored etching and aquatint
|
1813
|
The Mew Stone Entrance of Plymouth
|
Cooke, William Bernard
|
engraving
|
1815
|
Black Gang Chine
|
Cooke, George
|
engraving
|
1816
|
Sir Thomas More
|
Page, Robert
|
stipple engraving
|
1817
|
Middle Temple Halle
|
Greig, J.
|
engraving on paper
|
1817
|
Saint Pauls' School
|
Greig, J.
|
engraving on paper
|
1817
|
Portrait of David Garrick Esqre
|
Skelton, William
|
engraving on paper
|
1818
|
The Vale of Ashburnham
|
Cooke, William Bernard
|
engraving
|
1819
|
Minehead, Somersetshire
|
Cooke, William Bernard
|
engraving
|
1820
|
L'Eglise de Saint Laurent, Rouent
|
Prout, Samuel
|
lithograph
|
1821
|
Dog Fight
|
Alken, Henry
|
soft-ground and aquatint, colored
|
1824
|
Flemish Fishermen
|
Phelps, Joseph
|
engraving on paper
|
1824
|
The Fall of Satan
|
Blake, William
|
engraving on paper
|
1825
|
Scarborough, Ports of England
|
Lupton, Thomas Goff
|
mezzotint
|
1826
|
Ship Building Plate I
|
Pass, J.
|
engraving on paper
|
1827
|
Paris and its Environs
|
Heath, Charles
|
engraving on paper
|
1828
|
Entrance to Fowey Harbor, Cornwall
|
Smith, William Raymond
|
engraving
|
1829
|
Equestrian Statue of Henry IV
|
Heath, Charles
|
engraving on paper
|
1829
|
Paris et ses Environs
|
Heath, Charles
|
engraving on paper
|
1829
|
Stoke by Nayland Suffolk
|
Constable, John
|
mezzotint on paper
|
1829 - 1855
|
Summer Morning, Dedham Vale
|
Lucas, David
|
mezzotint on paper
|
1830 - 1831
|
Castle Acre Priory
|
Lucas, David
|
mezzotint on paper
|
1830 - 1845
|
Old Sarum
|
Lucas, David
|
mezzotint on paper
|
1831 - 1855
|
Oxford Cathedral, North West View
|
Winkles, Benjamin
|
engraving
|
1837
|
Ascent to the Capitol Washington
|
Wallis, Robert
|
steel line engraving with hand color on paper
|
1837 - 1839
|
Cemetery of the Smolensko Church
|
Smith, E.
|
steel engraving on paper
|
1845
|
Arundel Mill and Castle
|
Lucas, David
|
mezzotint on paper
|
1845 - 1855
|
Culminated Toucan
|
Lear, Edward
|
hand colored lithograph on paper
|
1852 - 1854
|
Harry Kelly's Putney
|
Haden, Francis Seymour
|
etching with drypoint on paper
|
1856
|
A Water Meadow
|
Haden, Francis Seymour
|
etching on paper
|
1859
|
Kensington Gardens
|
Haden, Francis Seymour
|
etching on laid paper
|
1859
|
Sub Tegmine...
|
Haden, Francis Seymour
|
etching and drypoint on paper
|
1859
|
Egham
|
Haden, Francis Seymour
|
etching and drypoint on paper
|
1859
|
Sug Tegmine A By-Road in Tipperary
|
Haden, Francis Seymour
|
etching
|
1860
|
The Holly Field
|
Haden, Francis Seymour
|
etching and drypoint
|
1860
|
Sunset on the Thames
|
Haden, Francis Seymour
|
etching with drypoint on laid paper mounted on board
|
1861
|
From the Bridge at Cardigan
|
Haden, Francis Seymour
|
etching with drypoint on laid paper mounted on board
|
1864
|
Kilgaren Castle
|
Haden, Francis Seymour
|
etching on laid paper mounted on board
|
1864
|
The House of the Smith
|
Haden, Francis Seymour
|
etching on laid paper
|
1864
|
O Laborum Dulce Lenimen (Hands Etching)
|
Haden, Francis Seymour
|
etching and drypoint on laid paper
|
1865
|
Horsley's House at Willesley
|
Haden, Francis Seymour
|
etching and drypoint on laid paper
|
1865
|
Sunset on the Thames
|
Haden, Francis Seymour
|
etching and drypoint on laid paper
|
1865
|
Little Calais Pier
|
Haden, Francis Seymour
|
etching
|
1865
|