Title
|
Artist
|
Medium & Support
|
Creation Date
|
Her Arrival in London
|
Hogarth, William
|
engraving
|
1732
|
Quarrels with her Protector
|
Hogarth, William
|
engraving
|
1732
|
Apprehended by a Magistrate
|
Hogarth, William
|
engraving
|
1732
|
Beating Hemp in Bridewill
|
Hogarth, William
|
engraving
|
1732
|
Her Death
|
Hogarth, William
|
engraving
|
1732
|
Her Funeral
|
Hogarth, William
|
engraving
|
1732
|
The Oratorio
|
Hogarth, William
|
etching on off-white paper
|
1732
|
He Takes Possession
|
Hogarth, William
|
engraving
|
1735
|
His Levee
|
Hogarth, William
|
engraving
|
1735
|
He Revels
|
Hogarth, William
|
engraving
|
1735
|
He Goes to Court
|
Hogarth, William
|
engraving
|
1735
|
He Marries
|
Hogarth, William
|
engraving
|
1735
|
He Gambles
|
Hogarth, William
|
engraving
|
1735
|
In the Fleet Prison
|
Hogarth, William
|
engraving
|
1735
|
A Consultation of Physicians or Company of Undertakers
|
Hogarth, William
|
etching and engraving on off-white paper
|
1736 - 1737
|
Scholars at a Lecture
|
Hogarth, William
|
etching and engraving on off-white paper
|
1736 - 1737
|
Portrait of John Locke
|
Vertue, George
|
engraving and etching on paper
|
1738
|
Martin Folkes, Esquire
|
Hogarth, William
|
ink on paper
|
1742
|
Characters and Caricaturas
|
Hogarth, William
|
etching on off-white paper
|
1743
|
The Battle of the Pictures
|
Hogarth, William
|
etching on off-white paper
|
1744 - 1745
|
The Lady's Disaster
|
June, John
|
engraving
|
1746
|
The Fellow `Prentices at their Looms
|
Hogarth, William
|
engraving
|
1747
|
The Industrious `Prentice Alderman of London, the Idle one Brought Before Him & Impeach'd by His Accomplice
|
Hogarth, William
|
engraving
|
1747
|
The Idle `Prentice Executed at Tyburn
|
Hogarth, William
|
engraving
|
1747
|
The Industrious `Prentice Lord-Mayor of London (one of a Series of 12 Prints from "Industry and Idleness")
|
Hogarth, William
|
engraving
|
1747
|
The Industrious `Prentice Performing the Duty of a Christian
|
Hogarth, William
|
engraving
|
1747
|
The Idle `Prentice at Play in the Church Yard, during Devine Service
|
Hogarth, William
|
engraving
|
1747
|
The Industrious `Prentice a Favourite, and Entrusted by His Master
|
Hogarth, William
|
engraving
|
1747
|
The Idle `Prentice Turn'd Away and Sent to Sea
|
Hogarth, William
|
engraving
|
1747
|
The Industrious `Prentice out of his Time, & Married to his Master's Daughter
|
Hogarth, William
|
engraving
|
1747
|
The Idle `Prentice Return's from Sea, & in a Garret with a Common Prostitute
|
Hogarth, William
|
engraving
|
1747
|
The Industrious `Prentice Grown Rich, & Sheriff of London
|
Hogarth, William
|
engraving
|
1747
|
The Idle `Prentice Betray'd by His Whore, & Taken in a Night Cellar with His Accomplice
|
Hogarth, William
|
engraving
|
1747
|
A Country Inn Yard or The Stage Coach
|
Hogarth, William
|
engraving on off-white paper
|
1747
|
Taste A La Mode as in the Year 1735
|
Davis, Evan
|
engraving
|
1749
|
Subscription Receipt to "A March to Finchley"
|
Hogarth, William
|
etching and engraving on off-white paper
|
1749 - 1750
|
Boys Peeping at Nature: Subscription ticket for "Moses brought to Pharaoh's Daughter" and "St Paul before Felix"
|
Hogarth, William
|
etching on off-white paper
|
1751
|
Beer Street
|
Hogarth, William
|
engraving on off-white paper
|
1751
|
Gin Lane
|
Hogarth, William
|
engraving on off-white paper
|
1751
|
First Stage of Cruelty
|
Hogarth, William
|
engraving on warm white paper
|
1751
|
Second Stage of Cruelty
|
Hogarth, William
|
engraving on warm white paper
|
1751
|
Cruelty in Perfection
|
Hogarth, William
|
engraving on warm white paper
|
1751
|
The Reward of Cruelty
|
Hogarth, William
|
engraving
|
1751
|
Paul before Felix
|
Hogarth, William
|
etching on off-white paper
|
1752
|
Columbus Breaking the Egg
|
Hogarth, William
|
etching on off-white paper
|
1752
|
Paul before Felix
|
Hogarth, William
|
etching on off-white paper
|
1752
|
Moses Brought Before Pharaoh's Daughter
|
Sullivan, Luke
|
engraving on off-white paper
|
1752
|
Paul before Felix
|
Sullivan, Luke
|
etching on off-white paper
|
1752
|
Hearing (L'Ouie)
|
Houston, Richard
|
mezzotint on paper
|
1753
|
The Bench
|
Hogarth, William
|
ink on paper
|
1758
|
The Five Orders of Periwigs
|
Hogarth, William
|
etching
|
1761
|
Time Smoking a Picture
|
Hogarth, William
|
etching and mezzotint on off-white paper
|
1761
|
Cruelty, Superstition and Fanaticism
|
Hogarth, William
|
engraving on off-white paper
|
1762
|
The Times
|
Hogarth, William
|
engraving on off-white paper
|
1762
|
The Sleeping Congregation
|
Hogarth, William
|
engraving on off-white paper
|
1762
|
The Bruiser, C. Churchill
|
Hogarth, William
|
engraving on off-white paper
|
1763
|
In Bedlam
|
Hogarth, William
|
engraving
|
1763
|
Riot at Covent Garden Theatre
|
Unknown Artist
|
engraving on paper
|
1763
|
Madonna and Child
|
Earlom, Richard
|
mezzotint
|
1768
|
Meleager and Atalanta
|
Earlom, Richard
|
mezzotint
|
1771
|
The Politician
|
Hogarth, William
|
etching on off-white paper
|
1775
|
A Bagnigge Wells Scene, or No Resisting Temptation
|
Smith, John Raphael
|
mezzotint
|
1780
|
Portrait of John Wharton Tempest
|
Walker, James
|
mezzotint
|
1781
|
Four Heads From the Raphael Cartoons at Hampton Court
|
Hogarth, William
|
etching and aquatint
|
1781
|
The Shepherd Boy
|
Earlom, Richard
|
mezzotint
|
1781
|
Saint Margaret's at Cliff near Dover
|
Cooke, George
|
engraving
|
1781 - 1834
|
Widow Costard's Cow and Goods
|
Sedgwick, William
|
stipple engraving on paper
|
1784
|
Portrait of The Reverand Mr. Thomas Warton
|
Hodges, Charles Howard
|
mezzotint and engraving
|
1786
|
A Cobbler
|
Dean, John
|
mezzotint
|
1786
|
The Evening Walk Princes Street
|
Kay, John
|
hand colored engraving on paper
|
1788
|
Langley Ware
|
Stadler, Joseph Constantine
|
aquatint on paper
|
1793
|
A Shipwreck'd Saylor Boy telling his Story at a Cottage Door
|
Orme, Daniel
|
stipple engraving on paper
|
1794
|
Jack Junk
|
|
mezzotint
|
1795
|
The Dissolution or The Alchymist Producing an Aetherial Representation
|
Gillray, James
|
hand colored engraving
|
1796
|
In Green Street, Enfield Highway
|
Smith, John Thomas
|
etching
|
1797
|
Abraham and Issac
|
Unknown Artist
|
etching [with drypoint (?)] on paper
|
17th century
|
Westminster Hall
|
Ireland, Samuel
|
aquatint
|
1800
|
Standish Chapel and Pew
|
|
engraving
|
1800 - 1899
|
Fashion Illustration
|
Mutlow, H.
|
hand colored engraving on paper
|
1801
|
Boa: The Canina
|
Pass, J.
|
engraving on paper
|
1801
|
King Henry the Eighth
|
Taylor, Isaac
|
engraving on paper
|
1803
|
Edmonton
|
Warren, Ambrose William
|
hand colored engraving on paper
|
1806
|
Corn Exchange, Mark Lane
|
Rowlandson & Pugin
|
handtinted aquatint
|
1808
|
Londina Illustrata
|
Unknown Artist
|
etching
|
1809
|
Philanthropic Society
|
Rowlandson, Thomas
|
handtinted aquatint on paper
|
1809
|
Lulworth Cove, Dorset
|
Cooke, William Bernard
|
engraving
|
1812
|
The Sands
|
Rowlandson, Thomas
|
hand-colored etching and aquatint
|
1813
|
The Mew Stone Entrance of Plymouth
|
Cooke, William Bernard
|
engraving
|
1815
|
Black Gang Chine
|
Cooke, George
|
engraving
|
1816
|
Sir Thomas More
|
Page, Robert
|
stipple engraving
|
1817
|