Title
|
Artist
|
Medium & Support
|
Creation Date
|
Self-Portrait
|
Rouault, Georges
|
ink on paper
|
first half 20th century
|
Un Jour de Garde
|
Daumier, Honoré
|
lithograph
|
19th century
|
The Dragonflies
|
Goerg, Edouard Joseph
|
etching on paper
|
19th century
|
Death on the Battle Field
|
Legros, Alphonse
|
etching on off-white paper
|
19th century
|
Evening at a Locgh in Scotland
|
Legros, Alphonse
|
etching and drypoint on off-white paper
|
19th century
|
French Village
|
Steinlen, Theophile Alexandre
|
soft-ground etching on laid paper
|
late 19th century
|
Girl, Child and Dog
|
Steinlen, Theophile Alexandre
|
etching on laid paper
|
late 19th century
|
The Lovers
|
Steinlen, Theophile Alexandre
|
lithograph on white paper
|
late 19th century
|
Old Seated Farmer
|
Steinlen, Theophile Alexandre
|
lithograph on white paper
|
late 19th century
|
Seated Female Nude
|
Steinlen, Theophile Alexandre
|
two color soft-ground etching and aquatint on paper
|
late 19th century
|
Woman in Bed
|
Steinlen, Theophile Alexandre
|
lithograph
|
late 19th century
|
Woman in a Cape
|
Steinlen, Theophile Alexandre
|
lithograph in reddish-brown color on paper
|
late 19th century
|
Woman with Her Maid
|
Steinlen, Theophile Alexandre
|
lithograph in puce color
|
late 19th century
|
Farm by the Lake Abconde (Ferme au bord du lac d'Abconde)
|
|
engraving with medium gray tint
|
19th century
|
Road Bordered with Eucalyptus Trees
|
Beaufrère, Adolphe Marie Timothée
|
etching on paper
|
late 19th century - mid 20th century
|
Femme se peignant
|
Forain, Jean Louis
|
color lithograph
|
second half 19th century
|
Le Decavé
|
Forain, Jean Louis
|
lithograph
|
second half 19th century
|
Sketch of a Figure
|
Forain, Jean Louis
|
lithograph on paper
|
second half 19th century
|
Petite mare (Vendée)
|
Lepère, Auguste
|
etching on paper
|
19th century
|
Environs de Rix
|
Appian, Adolphe
|
etching on paper
|
19th century
|
Shepherd
|
Millet, François
|
etching
|
late 19th century
|
Etudes d'Enfants, 4:Joseph
|
Gavarni, Paul
|
lithograph
|
first half 19th century
|
La Seine d'Oisel
|
Fonce, Camille Arthur
|
etching
|
second half 19th century
|
The Mill Slope (La Decente du Moulin)
|
Féau, Amédée
|
etching on paper
|
first half 19th century
|
Pines
|
Fonce, Camille Arthur
|
drypoint
|
second half 19th century
|
St. Jacques Tower, Paris
|
Rivière, Charles
|
color lithograph
|
second half 19th century
|
Le Preludes de Bach
|
Allais, Paul
|
steel engraving
|
19th century
|
Awakening
|
Calbet, Antoine
|
etching
|
late 19th century
|
Dreaming
|
Calbet, Antoine
|
etching
|
late 19th century
|
The Bath
|
Calbet, Antoine
|
etching
|
1920s
|
Jeune fille de Cancale
|
Feyen-Perrin, Auguste
|
etching on laid paper
|
19th century
|
Port de Fecamp. / Vue prise de la Bourse.
|
Hamel, Victor
|
etching
|
19th century
|
The Little Cows (Les petites vacheres)
|
Jacque, Charles Émile
|
etching on paper
|
19th century
|
Landscape (Paysage)
|
Jacque, Charles Émile
|
etching on paper
|
ca. 1846
|
La Lecture
|
Jacque, Charles Émile
|
etching on paper
|
ca. 1846
|
Telemachus and Mentor (Télémaque et Mentor)
|
Daumier, Honoré
|
ink on paper
|
1842
|
The Fall of Icarus (La Chûte d'Icare)
|
Daumier, Honoré
|
ink on paper
|
1842
|
Achilles Under His Tent (Achille sous sa tente)
|
Daumier, Honoré
|
newspaper
|
1842
|
The Return of Odysseus (Le retour d'Ulysse)
|
Daumier, Honoré
|
newspaper
|
1808
|
Les Comediens de Province
|
Daumier, Honoré
|
ink on paper
|
19th century
|
Charme de se voir Expose
|
Daumier, Honoré
|
ink on paper
|
19th century
|
Monsieur...
|
Daumier, Honoré
|
ink on paper
|
19th century
|
La Grande Ville
|
Daumier, Honoré
|
ink on paper
|
19th century
|
Le Membre de Toutes Les Académies
|
Daumier, Honoré
|
ink on paper
|
19th century
|
Knight of the Order of the Golden Spur (Le Chevalier de l'Eperon d'Or)
|
Daumier, Honoré
|
ink on paper
|
1842
|
L’Ancien Negociant
|
Daumier, Honoré
|
ink on paper
|
19th century
|
Un Barque sur le Gapeau
|
Balfourier, Adolphe Paul Émile
|
etching
|
mid 19th century - 3rd quarter 19th century
|
Cow in Meadow
|
Troyon, Constant
|
photogravure
|
early 19th century - mid 19th century
|
Le Matin
|
Bernier, Camille
|
photogravure
|
19th century
|
Provence rose (Rose Centifolia)
|
Redouté, Pierre Joseph
|
hand colored engraving on paper
|
1817
|
Mameluke Defending a Wounded Trumpeter (Mameluck de la Garde Impériale défendant un trompette blessé contre un Cosaque)
|
Géricault, Théodore
|
hand colored lithograph
|
1818
|
The Infidel (Le Giaour)
|
Géricault, Théodore
|
lithograph on paper
|
1820
|
Carriage Horse Ridden by a Groom (Cheval de carrosse monté par un palefrenier)
|
Géricault, Théodore
|
lithograph in pen and ink on paper
|
1820
|
The Horse of Mecklembourg (Cheval de Mecklembourg)
|
Géricault, Théodore
|
lithograph
|
1822
|
Watering Trough (L’Abreuvoir), Title Page
|
Géricault, Théodore
|
pen lithograph
|
1822
|
The Mare and Its Colt (La jument et son poulain)
|
Géricault, Théodore
|
lithograph
|
1822
|
Flemish Horses (Chevaux flamands)
|
Géricault, Théodore
|
lithograph
|
1822
|
The Coal Wagon (Le chariot de charbon)
|
Géricault, Théodore
|
lithograph
|
1822
|
Le maréchal flamand (The Flemish Blacksmith)
|
Géricault, Théodore
|
lithograph
|
1822
|
The Plastermaker's Horse (Le cheval du plâtrier)
|
Géricault, Théodore
|
lithograph
|
1822
|
Horses Being Led to the Fair (Chevaux conduits à la foire)
|
Géricault, Théodore
|
lithograph
|
1822
|
Two-Post Horses at a Stable Door (Deux chevaux de poste à la porte d’une écurie)
|
Géricault, Théodore
|
lithograph
|
1822
|
Lara Wounded (Lara Blessé)
|
Géricault, Théodore
|
lithograph on paper
|
1823
|
Farm Horses (Chevaux de ferme)
|
Géricault, Théodore
|
lithograph
|
1823
|
La Fiancée d’Abydos (The Bride of Abydos)
|
Géricault, Théodore
|
lithograph
|
1823
|
Cheval dévoré par un lion (A Horse Being Devoured by a Lion)
|
Géricault, Théodore
|
lithograph
|
1823
|
Lara
|
Géricault, Théodore
|
lithograph
|
1823
|
Mossieu le propriétaire!
|
Daumier, Honoré
|
lithograph, ink with watercolor tint on paper
|
ca. 1830 - 1840
|
Young Tiger Playing with its Mother (Jeune tigre jouant avec sa mère)
|
Delacroix, Eugène
|
lithograph
|
1831
|
Jewish Woman of Algiers (Juive d'Alger)
|
Delacroix, Eugène
|
etching on paper
|
1833
|
Un homme sans asile est comme un oiseau sans nid (plate 6)
|
Daumier, Honoré
|
lithograph on newsprint
|
1840
|
Woman with Two Cows (Les Deux vaches)
|
Millet, Jean-François
|
etching and roulette on paper
|
ca. 1847
|
En vlà un petit pochard!
|
Daumier, Honoré
|
lithograph on newsprint
|
1842
|
Lion Devouring a Horse (Lion dévorant un cheval)
|
Delacroix, Eugène
|
lithograph
|
1844
|
Carnations and Chinese Primrose (Œillets, Primevère de la Chine)
|
Grobon, François-Frédéric
|
color lithograph on paper
|
ca. 1850
|
Tiger Lying in the Desert (Tigre couché dans le désert)
|
Delacroix, Eugène
|
etching
|
1846
|
Position réputée la plus commode pour avoir un joli portrait au Daguerréotype
|
Daumier, Honoré
|
lithograph on newsprint
|
1847
|
Lion Clawing an Arab’s Chest (Lionne déchirant la poitrine d'un arabe)
|
Delacroix, Eugène
|
soft ground etching
|
1849
|
Quel Egoïste (plate 31)
|
Daumier, Honoré
|
lithograph on newsprint
|
1853
|
Tiens, c'est Madame Camuzot (plate 5)
|
Daumier, Honoré
|
lithograph on newsprint
|
1853
|
Tiger at a Standstill (Le tigre à l'arrêt)
|
Delacroix, Eugène
|
clichés-verre on paper
|
1854
|
Casimir Le Comte
|
Meryon, Charles
|
etching
|
1856
|
Les rues de Paris dans les premiers jours de septembre : tous couronnés !
|
Daumier, Honoré
|
lithograph on newsprint
|
1858
|
Let's Go! (Allons bon!)
|
Daumier, Honoré
|
lithograph
|
1859
|
Hey! well, Monsieur Caboulot, aren't you coming?.... (Eh! bien, monsieur Caboulot, vous ne venez pas?)
|
Daumier, Honoré
|
lithograph on newsprint
|
1859
|
One Evening, The Rhone Banks
|
Appian, Adolphe
|
etching on paper
|
1862
|
The Gypsies (Les Gitanos)
|
Manet, Edouard
|
etching
|
1862
|
Le Ministère de la Marine (The Admiralty, Paris)
|
Meryon, Charles
|
etching on laid paper
|
1865
|
The Cats (Les chats)
|
Manet, Edouard
|
etching
|
1869
|
The Café of the New Athens
|
Forain, Jean Louis
|
etching on paper
|
ca. 1876
|